
With their pastoral appeal and appearances reminiscent of rogue shepherds, Fleet Foxes throw down the gauntlet for Best Anglo-Saxon Album of the Decade. Indeed, the group has it all: flowing hair and beards, acoustic instruments, folk motifs, four-part a cappellas, vests, goats, and references to the Blue Ridge Mountains. But it would be a massive disservice to suggest that Fleet Foxes is nothing more than forced pastiche. The album turns a variety of influences into a unique musical kaleidoscope: strains of shape-note singing, Pet Sounds harmonies, gospel, and folk roll over hills, woods, and rivers, arriving at some kind of Appalachian wonderland.
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