Words. Stories. Refrains. Instruments and voices. Melodies and arrangements. The following are songs in their most basic sense, and all are well worth listening to on their own merits, their own tangible sense of being. Nevertheless, some songs on this list have been imbued with greater cultural resonance due to their interaction with the listening public in a wide variety of ways. Indeed, certain songs took flight by means the artist never imagined. As a result, they have thrust their way into inclusion by the shear force of their relevance.
The D Man attempted to be objective and democratic, but is also aware of the limitations of this type of exercise. Despite these difficulties, the following songs (and artists) must be included in any legitimate discussion of the decade's great music, lyrics, and songcraft. No artist is featured more than once, except for Sufjan Stevens and Radiohead, which is an intentional liberty taken by the list's curator, as they are arguably the two preeminent artists of the decade, and, admittedly, constantly vying for The D Man's fondest affection. Furthermore, some songs come in pairs, another liberty that seemed necessary at the time, and, presumably, will serve its intended purpose.
Please let The D Man know which songs you love, which songs you hate (although, hopefully, appreciate), and which songs should have been included. Before you do, please consider this: we have but one life, and cannot listen to everything. If we choose to listen, and I believe we must, as it allows us to enjoy or contemplate our mortality and prepares us for that final change that is universal, what shall we listen to? The songs on my list represent an attempt to answer this question. And since you value life and what you listen to enough to take part in this undertaking, that ultimately can expand your consciousness in ways that perhaps only reading can rival (and even trump), I thank you for your participation.
Indeed, perhaps music's prime concern, like reading, is to, in the words of Samuel Johnson, discover "what comes near to ourself, what we can put to use." We may likewise apply Sir Francis Bacon's solemn recommendation for reading to the realm of music: "[Listen] to not contradict and confute, nor to believe and take for granted, nor to find talk or discourse, but to weigh and consider." Finally, we may say as Emerson did of the best books, that the best songs "impress us with the conviction, that one nature wrote and the same nature [listens]." Pragmatically, all of this means the following: learn to listen deeply, not to believe, not to accept, not to contradict, but to learn to share in that one nature that sings and listens.
7 comments:
Where will "The Predatory Wasp of the Palisades is Out to Get Us" wind up? It's gotta be Top 5, dare I even suggest Top 3?
The suspense will certainly mount over the coming days. The D Man is already anxious!
Just don't count on your favorite tune to be included:
http://www.youtube.com/watch?v=z4XgP5tnI4c
First time viewer, first time commentor (or is it -er): Is "Rocky Took a Lover" going to make the list? As one who loves lyrics, it seems hard to ignore Bell X1. Disappointed that Raphael Saadiq didn't make top 2008 albums. But, my credibility takes a hit in that I still don't get Sigur Ros, Sufjan Stevens or Bon Iver. You guys are far too young to be this melancholy. Gavin's Dad
Gavin's Dad is welcome anytime! For a man who has helped put more great music out into the ether than Casey Kasem (radio waves still work like black magic to me), you can rightfully opine on all things blog related!
You are now the second person who has told me that I missed the boat on Saadiq. The D Man will have to pick him up to complement Maxwell's new joint.
Meloncholy is the new emo, but it just involves a little less eyeliner.
I told you Bruce would call us wusses.
In fairness to him, he's a radio guy through and through. And the only radio friendly songs on the list so far are your Coldplay, U2 and Outkast selections.
i am still awaiting some soul on the countdown.
If by soul you mean soul--i.e., spirit, vivacity, vitality--then this list is ready to burst with soul.
If by soul you mean a genre of music performed largely by African-American artists (sorry Robin Thicke!) and based on the formula long-ago perfected by the likes of Marvin Gaye, then you may be disappointed. There was no song that reinvented or reinvigorated soul music worthy enough to make this list--especially now that we're close to entering the Top Ten, which is filled with increasingly distinctive (and profound) sonic, lyrical, or structural songcraft.
Nevertheless, you might enjoy the selection that comes in at Number 12. The best "soul" song of the decade. Sorry, "Crazy in Love" didn't make the cut.
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