Declaration of Dependence is arguably the Norwegian duo's most quiet and holistic album to date. And it is absolutely delightful. Erlend Oye and Eirik Glambek Boe share vocal duties more than ever before, and while Erlend is typically the high voice in their harmonies (see "Second to Numb"), they also switch this dynamic around (see "Rule My World"). From the beautiful opener "24/25" to the album closer "Scars on Land," the record displays a hushed acoustic sophistication that encourages inward contemplation and repeated listens. Of course, not every song requires patient introspection: the first two singles, "Boat Behind" and "Mrs. Cold," are as fun to sing out loud as anything the Kings have written.
Many of the songs were created or arranged during soundchecks in concert halls during the duo's scattered touring over the past five years, and the extensive use of string reverb on the likes of "Renegade" adds a splendid richness to the small nuances in Erlend's and Eirek's guitar playing. There are no drums or percussion (unless you count a piano), but Eirik often hits his guitar while playing to a percussive effect. With the use of an upright bass and viola throughout several tracks, the album also has a significant live feel. After five years of waiting patiently, The D Man is grateful that the The Kings of Convenience delivered the most pleasurable listening experience of the year.
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